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RESONANZ

A composer's dispatches

What is this?

It's not “content.”

This is RESONANZ - a space for soundings about music, about process, about the business and the bullshit; about craft, collaboration, and connection with the social and cultural dialogue.

I’m Frank Pesci. I’ve been a professional composer for over 20 years. I write operas, sacred choral works, chamber and concert music, and song. Some of it’s been performed in major houses and by world-class ensembles. Some of it’s still on the shelf. I stand by all of it.

RESONANZ is where I seed the garden. It’s also where I invite you—colleagues, students, collaborators, critics—to tend it with me.

Why "Resonanz"?

 

Because music doesn’t happen in a vacuum.


Because art has to exist in the real world, and the real world is complicated.
 

Because I believe that generosity and rigor aren’t enemies.
 

Because I want to help others make music and live their artistic lives without (or at least aware of) the lies, the burnout, or the ego games - all of which have been my pitfalls.

 

What You’ll Find Here

  • Essays & Field Notes - Thoughts on composing, collaborating, rehearsing, failing, restarting, and building a life in the arts that isn’t dependent on applause.

  • Listening & Learning - Mini-lectures on musical craft, opera storytelling, text setting, form, choral idiom, and more—sometimes in written form, sometimes podcast, sometimes video. Nothing fancy. No filler.

  • Professional Practice - The nuts and bolts of surviving - and maybe even thriving - as a composer: from green light to opening night, from edits to ego check. Not advice. Just what I’ve learned.

  • Studio Dispatches - Updates from ongoing projects, including The Underwater Cabaret, collaborations in development, and whatever's simmering on the next burner.

  • Independent Publishing - because that's also what I do.

 

Follow the Thread

 

I’ll update this space regularly, and cross-post on:

Or just read, listen, and share. That’s Resonanz, too.

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© Copyright 2025 Frank Pesci

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